Sure, Forest Whitaker was great and all, but for me, Best Actor of last year was all about these two fine hunks of man. Both were fantastic, albeit in very different ways, and I really don't know who I prefer. First off:
HUGH JACKMAN in The Fountain. Can we say "wow"? As if it weren't already hard enough to be the film's emotional anchor while also being a hovering bald Buddha figure, turning into trees, and fighting off Mayan demon things, Jackman also did it all in a spot-on perfect American dialect... old news for him, but just think about the layers upon layers of work he's doing here, without ever showing the effort. He's arguably the best thing about a film with LOT of great things, and it's indisputably his career best performance (at least on film). Jackman reveals new emotional depths in his three related roles as a Spanish soldier, a contemporary doctor, and the aforementioned bald Buddha figure, and for me, what it all added up to was one of those truly iconic performances... a dynamic and all-encompassing portrait of man in all his frailty, strength, intellect, love, and need. It seals the deal on Jackman as a GREAT actor, and great leading man. And I can't help but give bonus points for all the other fine work he did last year. Think about it: if you include
The Fountain as three roles and then add in his three other live action and two other voice-over perfs, that's EIGHT great performances last year. That sure says "actor of the year" to me.
I have of course been raving about Jackman's
Fountain perf ever since I saw it, and was shocked upon shocked to learn that it only placed a paltry 5th in the
'06 FiLM BiTCH best actor category. I'd thought it had my own personal '06 win locked up... but that was before I saw:
RYAN GOSLING in Half Nelson. Here is a performance that's great in such a totally different way. While Jackman's performance serves a great film, Gosling's elevates a good film into something more.
Half Nelson is all about people, their inner lives, and their relationships, and there's no person in it as compelling as Gosling's Dan Dunne. Jackman's performance is epic, operatic, and romantic, but Gosling's is straight out of the Penn/Brando brand of tortured naturalism, and he works that style to perfection. He has nothing but a script and a camera to work with, but still manages to create a fully realized character, one who you identify with and care about even when he does terrible things. His pathos transcends the "junkie" cliché. In the words of many a reviewer: "Dan feels like someone you'd know." Gosling creates a whole universe of backstory and inner torment for this man whose life has fallen slightly off the rails. He too slides effortlessly into a (subtle) dialect, and uses that and every other tool at his disposal to fall totally into the character of troubled inner city teacher Dan Dunne. His nuance and precision are a marvel to behold. Strong chemistry with co-star Shareeka Epps (also great) doesn't hurt either. Gosling may well be the heir to Penn and Brando. His presence onscreen is THAT potent. He has a great career ahead of him.
Now,
Glenn managed to find an easy way out, leaving Gosling's greatness out of contention altogether. But I am determined to choose between these two. Or maybe I should just pull a Sophie and choose neither? There's always Forest Whitaker to fall back on.
Labels: Half Nelson, Hugh Jackman, Ryan Gosling, The Fountain
To make his hand feel better. 
